Demi Moore Reflects on the Evolution of Ageism for Women in Hollywood: ‘There Was Shame Attached to Being Sexual’ 

Sustainable Development Goals (SDGs) in Focus: Portraying Ann Woodward in “Feud: Capote vs. the Swans”

Introduction

In the 1970s, socialite Ann Woodward lived a troubled life. This was one of the first things Demi Moore learned about her when she was tasked with portraying Woodward in FX’s “Feud: Capote vs. the Swans.” Moore, determined to accurately depict Woodward’s story, delved into Laurence Leamer’s book that served as the basis for the series. Woodward’s life was marked by tragedy, as she mistakenly shot and killed her husband in 1955, leading to speculation and ostracism that haunted her until her suicide in 1975.

Research and Accuracy

Moore was committed to portraying Woodward’s story with integrity. She wanted to ensure that she was not perpetuating salacious gossip and respected the privacy of the family members still alive. Moore conducted extensive research to determine whether the shooting was an accident or murder. She concluded that it was an accident based on the available information. Moore emphasized the importance of maintaining a fine line between accuracy and sensationalism.

Woodward’s Tragic End

In 1975, Woodward took her own life after reading an early excerpt of Truman Capote’s book, in which he accused her of murder. The emotional toll of the accusation and the constant speculation surrounding her husband’s death ultimately led to her tragic demise.

Understanding Woodward’s Mindset

Moore believed that a crucial part of portraying Woodward was understanding her mindset. She underwent a physical transformation to embody Woodward’s appearance, but it was the emotional research that truly informed her performance. Moore explored Woodward’s goals and motivations, highlighting the universal desire for external validation. She recognized the deep emotional wounds that Woodward carried, which stemmed from a sense of emptiness and a longing to be seen and acknowledged.

The Power of Women in the Industry

Moore expressed her delight in working with a talented ensemble of women, including Naomi Watts, Diane Lane, Chloë Sevigny, Jessica Lange, and Molly Ringwald. She emphasized the rarity of seeing such a strong female presence on set and the joy of collaborating with her peers. Moore also acknowledged the progress that has been made for women in the industry, although challenges still remain.

Challenging Stereotypes and Ageism

Moore reflected on the ageism she faced in her career and the societal expectations tied to a woman’s fertility. She highlighted the shift that has occurred, allowing women to challenge traditional notions of desirability and value. Moore emphasized the importance of women taking ownership of their sexuality and desires, debunking outdated rules and stereotypes.

SDGs, Targets, and Indicators Analysis

1. Which SDGs are addressed or connected to the issues highlighted in the article?

• SDG 5: Gender Equality
• SDG 10: Reduced Inequalities

The article discusses the challenges faced by women in the entertainment industry, including ageism and the objectification of women based on their fertility. These issues are connected to SDG 5, which aims to achieve gender equality and empower all women and girls. Additionally, SDG 10, which focuses on reducing inequalities within and among countries, is relevant as it addresses the discrimination faced by women based on age and societal expectations.

2. What specific targets under those SDGs can be identified based on the article’s content?

• SDG 5.1: End all forms of discrimination against all women and girls everywhere.
• SDG 5.5: Ensure women’s full and effective participation and equal opportunities for leadership at all levels of decision-making in political, economic, and public life.
• SDG 10.2: By 2030, empower and promote the social, economic, and political inclusion of all, irrespective of age, sex, disability, race, ethnicity, origin, religion, or economic or other status.

The article highlights the discrimination faced by women in the entertainment industry based on their age and fertility. These specific targets address the need to end discrimination against women and ensure their full participation and equal opportunities in decision-making processes. SDG 10.2 also emphasizes the inclusion of all individuals, irrespective of age or other status, promoting equality and reducing inequalities.

3. Are there any indicators mentioned or implied in the article that can be used to measure progress towards the identified targets?

• Number of women in leadership positions in the entertainment industry.
• Representation of women of all ages in film and television.
• Reduction in age-based discrimination in casting and hiring practices.

The article implies the need to measure the number of women in leadership positions in the entertainment industry as an indicator of progress towards SDG 5.5. Additionally, the representation of women of all ages in film and television can be used as an indicator to measure progress towards SDG 5.1 and SDG 10.2. The reduction in age-based discrimination in casting and hiring practices can also be an indicator to assess progress towards these targets.

Table: SDGs, Targets, and Indicators

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Fuente: variety.com

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